Welcome to the social design: loose lessons from the stylized representation of the social in cinema and print. A blog very often about the interior design, fashion, social manners, and music created for and reflected in vintage cinema and print. Especially from the Sixties and Seventies, especially Italian, and especially from swingin' party scenes. We're awfully big on disco hippies and the OpArt accent here. Guaranteed, of course, to wander off on the occasional tangent into (maybe?) related subject matter, with plenty of tongue-in-cheek commentary for your consideration along the way. Comments are welcome, so please consider yourself invited...


Monday, June 20, 2011

DAGMAR LASSANDER IN WHITE IN "PECCATI DI GIOVENTU" (1975)

  
 
 





#22: WHITE IS OUTTA SIGHT...

So Babydoll brought this very rich clip to my attention some time ago, from the 1975 Italian film Peccati di gioventu.  Then late one night we eventually ended up watching the full English-dubbed version of the film, set in an Italian beach community.  It's about a girl that can't handle her new (sexy) stepmother, and if I recall correctly, resolves the matter by sleeping with her. Well, why not...  

I think technically Gloria Guida is the top-billed star of Peccati di gioventu, but frankly Dagmar Lassander is the bomb (and bombshell).  Aside from Dagmar's other fabulous films, like Femina ridens (The Frightened Woman) of 1969, it's pretty clear from this clip where she takes all the attention simply by descending the stairs in a high-slit white dress. It's a great look, of course, a classic really.

But what I also love (and kind of hate) about this scene is - quite obviously - the cheesy Casio dance party that breaks out! Of course I love it because it's basically tragic and completely unbelievable to witness in 2011. But of course I hate it, too, because if this film were made just a year or two earlier, there'd have been some groovy electric organ music they'd be getting down to. So I guess 1975 marks the death of the electric organ and the ascendancy of the synthesizer, the end of an era, and that makes me sad. I won't dismiss the synthesizer, I will just say it's not nearly as groovy...

Otherwise summer is here and I'm feeling the cool, collected look of white.  Indeed, it can be a pretty powerful social signifier wearing something as high-maintenance and essentially disposable as white, especially with as much aplomb as Dagmar above. It says: Hello there, I'm no stranger to leisure and ease, I have a fair disposable income, and I'm pretty conscientious, too, to be successfully wearing this stain-magnetizing get-up. So do consider white, when you are feeling (or needing to feel) outta sight. ( And if you're interested in (I think anyway) some pretty fascinating insights into consumer choice and its subliminal meaning - beyond white - I highly recommend Geoffrey Miller's Spent: Sex, Evolution, and Consumer Behavior (2009, Viking). It's contents are even more interesting than it's witty (and yes, white) cover, posted below...)








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