Welcome to the social design: loose lessons from the stylized representation of the social in cinema and print. A blog very often about the interior design, fashion, social manners, and music created for and reflected in vintage cinema and print. Especially from the Sixties and Seventies, especially Italian, and especially from swingin' party scenes. We're awfully big on disco hippies and the OpArt accent here. Guaranteed, of course, to wander off on the occasional tangent into (maybe?) related subject matter, with plenty of tongue-in-cheek commentary for your consideration along the way. Comments are welcome, so please consider yourself invited...


Wednesday, September 7, 2011

VILLA OF DISTINCTION: TAYLOR & BURTON IN "BOOM" (1968)

 
 





File this under "Villas of Distinction".  In my last post I mentioned coming across a spread in the July issue of Architectural Digest on the private Bel Air residence of the late Elizabeth Taylor.  Honestly, it was a privileged view, but one quite a bit softer than the cinematic image of the lady so many of us have loved and enjoyed.  It got me thinking about one of my favorite Taylor-Burton films, 1968's "Boom"...

An adaptation of the Tennessee Williams play, "The Milk Train Doesn't Stop Here Anymore", apparently the film was a bit of both a commerical and critical flop. It sat in obscurity for many years until sometime in (if I remember correctly) the very late 90s bootleg copies began making the rounds and it soon reasserted itself as a campy, cult classic. Also stars Richard Burton, of course, and Noel Coward as "The Witch of Capri" - in a role originally offered to Katherine Hepburn and in part inspired by the eccentric Italian Marchesa Luisa Casati .

Despite the stellar cast, my favorite presence in the film is that of the Mediterranean villa in which it was filmed (Sardinia, actually). Airy, spacious, perched on a dramatic natural setting - the villa once again satisfies my eternal appetite for the white room.  And Taylor's predominantly white wardrobe set against this stylish backdrop is like the icing on the (apparently vanilla) cake.  I also like the approach the designers took in creating the interior mix: the juxtaposition of the clean-lined, modern upholstered pieces (and expansive white interior) with older, detailed casepieces and accents for texture and visual interest.  Hope you enjoy, too...


And below, the trailer for "Boom" - if you are more into dramatic sound bites than interiors. Though I am willing to say the two together are mutually beneficial...




 
 

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